Schizophrenia Series-Disabled Legend Joe Meek

Joe Meek was born Robert George Meek on 5 April 1929 and died on 3 February 1967 in London. Joe Meek was a pioneering English record producer and songwriter acknowledged as 1 of the world’s 1st and most imaginative independent producers.

Joe Meek’s most famous work was The Tornados’ hit “Telstar” (1962), which became the 1st record by a British group to hit #1 in the US Hot 100. It also spent 5 weeks atop the UK singles chart, with Joe Meek receiving an Ivor Novello Award for this production as the “Best-Selling A-Side” of 1962.

Joe Meek’s other notable hit productions include “Don’t You Rock Me Daddy-O” and “Cumberland Gap” by Lonnie Donegan (as engineer), “Johnny Remember Me” by John Leyton, “Just Like Eddie” by Heinz, “Angela Jones” by Michael Cox and “Have I the Right?” by The Honeycombs, “Tribute to Buddy Holly” by Mike Berry. Joe Meek’s concept album I Hear a New World is regarded as a watershed in modern music for its innovative use of electronic sounds.

Joe Meek was also producing music for films, most notably Live It Up! (US title Sing and Swing), a 1963 pop music film starring Heinz Burt, David Hemmings and Steve Marriott, also featuring Gene Vincent, Jenny Moss, The Outlaws, Kim Roberts, Kenny Ball, Patsy Ann Noble and others. Joe Meek wrote most of the songs and incidental music, much of which was recorded by The Saints and produced by Joe Meek.

Joe Meek’s commercial success as a producer was short-lived and Joe Meek gradually sank into debt and depression. On 3 February 1967, using a shotgun owned by musician Heinz Burt, Joe Meek murdered his landlady before turning the gun on himself. Aged only 37, he died 8 years to the day after his hero, Buddy Holly.

A stint in the Royal Air Force as a radar operator spurred a life-long interest in electronics and outer space. From 1953 he worked for the Midlands Electricity Board. Joe Meek used the resources of his company to develop his interest in electronics and music production, including acquiring a disc cutter and producing his 1st record.

Joe Meek left the electricity board to work as a sound engineer for a leading independent radio production company that made programmes for Radio Luxembourg, and made his breakthrough with his work on Ivy Benson’s Music for Lonely Lovers. Joe Meek’s technical ingenuity was 1st shown on the Humphrey Lyttelton jazz single “Bad Penny Blues” (Parlophone Records, 1956) when, contrary to Humphrey Lyttleton’s wishes, he ‘modified’ the sound of the piano and compressed the sound to a greater than normal extent. The record became a hit. Joe Meek then put enormous effort into Dennis Preston’s Landsdowne Studio but tensions between Dennis Preston and Joe Meek soon saw Joe Meek forced out.

In January 1960, together with William Barrington-Coupe, Joe Meek founded Triumph Records. The label very nearly had a #1 hit with Joe Meek’s production of Angela Jones by Michael Cox. Michael Cox was one of the featured singers on Jack Good’s TV music show Boy Meets Girls and the song was given massive promotion. Unfortunately, Triumph Records, being an independent label, was at the mercy of small pressing plants, who couldn’t (or wouldn’t) keep up with sales demands. The record made a respectable appearance in the Top Ten, but it proved that Joe Meek needed the muscle of the major companies to get his records into the shops when it mattered.

Despite an interesting catalogue of Joe Meek productions, indifferent business results and Joe Meek proving difficult to work with eventually led to the label’s demise. Joe Meek would later license many of the Triumph recordings to labels such as Top Rank and Pye.

That year Joe Meek conceived, wrote and produced an “Outer Space Music Fantasy”‘ concept album I Hear A New World with a band called Rod Freeman & The Blue Men. The album was shelved for decades, apart from some EP tracks taken from it.

Joe Meek went on to set up his own production company known as RGM Sound Ltd (later Meeksville Sound Ltd) with toy importer, ‘Major’ Wilfred Alonzo Banks as his financial backer. Joe Meek operated from his now-legendary home studio which he constructed at 304 Holloway Road, Islington, a 3-floor flat above a leather-goods store (currently empty).

Joe Meeks’ 1st hit from Holloway Road was a UK #1 smash: John Leyton’s Johnny Remember Me (1961). This memorable “death ditty” was cleverly promoted by John Leyton’s manager, expatriate Australian entrepreneur Robert Stigwood. Robert Stigwood was able to get John Leyton to perform the song in several episodes of the popular TV soap opera Harpers West One in which he was making a series of guest appearances. Joe Meek’s 3rd UK #1 and last major success was with The Honeycombs’ Have I The Right? in 1964, which also became a No.5 hit on the American Billboard pop charts. The success of John Leyton’s recordings was instrumental in establishing Robert Stigwood and Joe Meek as 2 of Britain’s 1st independent record producers.

When his landlords, who lived downstairs, felt that the noise was too much, they would indicate so with a broom on the ceiling. Joe Meek would signal his contempt by placing loudspeakers in the stairwell and turning up the volume.

A blue plaque has since been placed at the location of the studio to commemorate Joe Meek’s life and work.

Joe Meek was obsessed with the occult and the idea of “the other side”. Joe Meek would set up tape machines in graveyards in a vain attempt to record voices from beyond the grave, in one instance capturing the meows of a cat he claimed was speaking in human tones, asking for help. In particular, he had an obsession with Buddy Holly (claiming the late American rocker had communicated with him in dreams) and other dead rock and roll musicians.

Joe Meek’s professional efforts were often hindered by his paranoia (Joe Meek was convinced that Decca Records would put hidden microphones behind his wallpaper in order to steal his ideas), drug use and attacks of rage or depression. Upon receiving an apparently innocent phone call from Phil Spector, Joe Meek immediately accused Phil Spector of stealing his ideas before hanging up angrily.

Joe Meek’s homosexuality – illegal in the UK at the time – put him under further pressure; he had been charged with “importuning for immoral purposes” in 1963 and was consequently subjected to blackmail. In January of 1967, police in Tattingstone, Suffolk, discovered a suitcase containing the mutilated body of Bernard Oliver, an alleged rent boy who had previously associated with Joe Meek. According to some accounts, Joe Meek became concerned that he would be implicated in the murder investigation when the Metropolitan police stated that they would be interviewing all known homosexuals in the city.

In the meantime, the hits had dried up and as Joe Meek’s financial position became increasingly desperate, his depression deepened. On 3 February, 1967, the 8th anniversary of Buddy Holly’s death, Joe Meek killed his landlady Violet Shenton and then himself with a single barreled shotgun that he had confiscated from his protegé, former Tornados bassist and solo star Heinz Burt at his Holloway Road home/studio. Joe Meek had flown into a rage and taken the gun from Heinz Burt when he informed Joe Meek that he used it while on tour to shoot birds. Joe Meek had kept the gun under his bed, along with some cartridges. As the shotgun had been registered to Heinz Burt, he was questioned intensively by police, before being eliminated from their enquiries.

Joe Meek was subsequently buried in plot 99 at Newent Cemetery in Newent, Gloucestershire. Joe Meek’s black granite tombstone can be found near the middle of the cemetery.

Despite not being able to play a musical instrument or write notation, Joe Meek displayed a remarkable facility for writing and producing successful commercial recordings. In writing songs he was reliant on musicians such as Dave Adams, Geoff Goddard or Charles Blackwell to transcribe melodies from his vocal “demos”. Joe Meek worked on 245 singles, of which 45 were major hits (top 50 or better).

Joe Meek pioneered studio tools such as multiple over-dubbing on 1 and 2 track machines, close miking, direct input of bass guitars, the compressor, and effects like echo and reverb, as well as sampling. Unlike other producers, his search was for the ‘right’ sound rather than for a catchy musical tune, and throughout his brief career he single-mindedly followed his quest to create a unique “sonic signature” for every record he produced.

At a time when many studio engineers were still wearing white coats and assiduously trying to maintain clarity and fidelity, Joe Meek, the maverick, was producing everything on the 3 floors of his “home” studio and was never afraid to distort or manipulate the sound if it created the effect he was seeking. For Johnny Remember Me he placed the violins on the stairs, the drummer almost in the bathroom, and the brass section on a different floor entirely.

Joe Meek was 1 of the 1st producers to grasp and fully exploit the possibilities of the modern recording studio. Joe Meek’s innovative techniques — physically separating instruments, treating instruments and voices with echo and reverb, processing the sound through his fabled home-made electronic devices, the combining of separately-recorded performances and segments into a painstakingly constructed composite recording — comprised a major breakthrough in sound production. Up to that time, the standard technique for pop, jazz and classical recordings alike was to record all the performers in one studio, playing together in real time, a legacy of the days before magnetic tape, when performances were literally cut live, directly onto disc.

Joe Meek’s style was also substantially different from that of his contemporary Phil Spector, who typically created his famous “Wall of sound” productions by making live recordings of large ensembles that used multiples of major instruments like bass, guitar and piano to create the complex sonic backgrounds for his singers.

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Amyotrophic lateral sclerosis (ALS) Series-Disabled Legend Lou Gehrig

Lou Gehrig Henry Louis “Lou” Gehrig was born on 19 June, 1903 in the Yorkville section of Manhattan, USA and died on 2 June, 1941, at 10:10 p.m., 16 years to the day after he replaced Wally Pipp at first base, Henry Louis Gehrig died at his home at 5204 Delafield Avenue, in the Fieldston section of the Bronx, New York.

Upon hearing the news, Babe Ruth and his wife Claire went to the Gehrig’s house to console Eleanor. Mayor LaGuardia ordered flags in New York to be flown at half-staff, and Major League ballparks around the nation did likewise.

Following the funeral at Christ Episcopal Church of Riverdale, Lou Gehrig’s remains were cremated and interred on 4 June at Kensico Cemetery in Valhalla, New York. Lou Gehrig and Ed Barrow are both interred in the same section of Kensico Cemetery, which is next door to Gate of Heaven Cemetery, where the graves of Babe Ruth and Billy Martin are located.

Lou Gehrig’s headstone in Kensico Cemetery (the year of his birth was inscribed erroneously as 1905) Eleanor Gehrig never remarried following her husband’s passing, dedicating the rest of her life to supporting ALS research. Eleanor died on 6 March, 1984, on her 80th birthday. They had no children.

The Yankees dedicated a monument to Lou Gehrig in center field at Yankee Stadium on 6 July, 1941, the shrine lauding him as, “A man, a gentleman and a great ballplayer whose amazing record of 2,130 consecutive games should stand for all time.” Lou Gehrig’s monument joined the one placed there in 1932 to Miller Huggins, which would eventually be followed by Babe Ruth’s in 1949.

Lou Gehrig’s birthplace in Manhattan, 1994 Second Avenue (near E. 103rd Street), is memorialised with a plaque marking the site. Another early residence on E. 94th Street (near Second Avenue) is noted with a plaque. The Gehrigs’ white house at 5204 Delafield Avenue in the Riverdale section of the Bronx, where Lou Gehrig died, still stands today on the east side of the Henry Hudson Parkway and is likewise marked by a plaque.

Born Ludwig Heinrich Gehrig was an American baseball player in the 1920s and 1930s, chiefly remembered for his prowess as a hitter and the longevity of his consecutive games played record, which stood for more than a half-century, and the pathos of his tearful farewell from baseball at age 36, when he was stricken with a fatal disease. Popularly called “The Iron Horse” for his durability, Lou Gehrig set several Major League records. Lou Gehrig’s record for most career grand slam home runs (23) still stands as of 2008. Lou Gehrig was voted the greatest first baseman of all time by the Baseball Writers’ Association. Lou Gehrig was the leading vote-getter on the Major League Baseball All-Century Team, chosen by fans in 1999.

Lou Gehrig was a native of New York City, he played for the New York Yankees until his career was cut short by amyotrophic lateral sclerosis (ALS), now commonly referred to in the United States as Lou Gehrig’s Disease. Over a 15-season span between 1925 and 1939, he played in 2,130 consecutive games. The streak ended when Lou Gehrig became disabled with the fatal neuromuscular disease that claimed his life 2 years later. Lou Gehrig’s streak, long believed to be one of baseball’s few unbreakable records, stood for 56 years until finally broken by Cal Ripken, Jr., of the Baltimore Orioles on 6 September, 1995.

Lou Gehrig accumulated 1,995 runs batted in (RBIs) in 17 seasons with a lifetime batting average of .340, a lifetime on-base percentage of .447, and a lifetime slugging percentage of .632. A 7 time All-Star (the first All-Star game was not until 1933; he did not play in the 1939 game, retiring a week before it was held — at Yankee Stadium), he won the American League’s Most Valuable Player award in 1927 and 1936 and was a Triple Crown winner in 1934, leading the American League in batting average, home runs, and RBIs.

Lou Gehrig weighed almost 14 pounds (6.4 kg) at birth, the son of poor German immigrants Heinrich Gehrig and Christina Fack. Lou Gehrig’s father was a sheet metal worker by trade, but frequently unemployed due to ill health, so his mother was the breadwinner and disciplinarian. Both parents considered baseball to be a schoolyard game; his domineering mother steered young Lou Gehrig toward a career in business.

Lou Gehrig went to PS 132 in the Washington Heights section of Manhattan and then to Commerce High School, graduating in 1921. Lou Gehrig then studied at Columbia University for 2 years, although he did not graduate. While attending Columbia, he was a member of Phi Delta Theta fraternity. Initially, Lou Gehrig could not play intercollegiate baseball for the Columbia Lions because he had played baseball for a summer professional league during his freshman year. At the time, he was unaware that doing so jeopardised his eligibility to play any collegiate sport. Lou Gehrig was ruled eligible to play on the Lions’ football team and was a standout fullback. Lou Gehrig later gained baseball eligibility and joined the Lions on that squad as well.

Lou Gehrig first garnered national attention for his baseball ability while playing in a game at Cubs Park (now Wrigley Field) on June 26, 1920. Lou Gehrig’s New York School of Commerce team was playing a team from Chicago’s Lane Tech High School, in front of a crowd of more than 10,000 spectators. With his team winning 8-6 in the top of the ninth inning, Lou Gehrig hit a grand slam completely out of the Major League ballpark, an unheard-of feat for a 17-year old high school boy.

Lou Gehrig on the Columbia University baseball team On 18 April, 1923 the same day that Yankee Stadium opened for the first time and Babe Ruth inaugurated the new stadium with a home run, Columbia pitcher Lou Gehrig struck out 17 Williams batters for a team record. However, Columbia lost the game. Only a handful of collegians were at South Field that day, but more significant was the presence of Yankee scout Paul Krichell, who had been trailing Lou Gehrig for some time. It was not Lou Gehrig’s pitching that particularly impressed him. Instead, it was Lou Gehrig’s powerful left-handed hitting. During the time Krichell had been observing the young Columbia ballplayer, Lou Gehrig had hit some of the longest home runs ever seen on various Eastern campuses, including a 450-foot (137 m) home run on 28 April at Columbia’s South Field which landed at 116th Street and Broadway. Within 2 months, Lou Gehrig had signed a Yankee contract.

Lou Gehrig joined the New York Yankees midway through the 1923 season and made his debut on 15 June 1923, as a pinch hitter. In his first 2 seasons, he saw limited playing time, mostly as a pinch hitter — he played in only 23 games and was not on the Yankees’ 1923 World Series roster. In 1925, he batted 437 times for a respectable .295 batting average with 20 home runs and 68 runs batted in (RBIs).

Babe Ruth and Lou Gehrig in exhibition game at West Point, NY (May 6, 1927) The 23 year old Yankee first baseman’s breakout season came in 1926, when he batted .313 with 47 doubles, an American League leading 20 triples, 16 home runs, and 112 RBIs. In the 1926 World Series against the St. Louis Cardinals, Lou Gehrig hit .348 with  2 doubles and 4 RBIs. The Cardinals won a 7 game series, winning 4 games to 3.

In 1927, Lou Gehrig put up one of the greatest seasons by any batter in history. That year, he hit .373, with 218 hits: 52 doubles, 18 triples, 47 home runs, 175 runs batted in, and a .765 slugging percentage.

Despite playing in the shadow of the larger-than-life Ruth for 2/3 of his career, Lou Gehrig was one of the highest run producers in baseball history: he had 509 RBIs during a 3 season stretch (1930-32). Only 2 other players, Jimmie Foxx with 507 and Hank Greenberg with 503, have surpassed 500 RBIs in any 3 seasons; their totals were non-consecutive. (Babe Ruth had 498.) Playing 14 complete seasons, Lou Gehrig had 13 consecutive seasons with 100 or better RBIs (a Major League record he shares with Jimmie Foxx). Lou Gehrig had 6 seasons where he batted .350 or better (with a high of .379 in 1930), plus a 7th season at .349. Lou Gehrig had 8 seasons with 150 or more RBIs, 11 seasons with over 100 walks, 8 seasons with 200 or more hits, and 5 seasons with more than 40 home runs. Lou Gehrig led the American League in runs scored 4 times, home runs 3 times, and RBIs 5 times. Lou Gehrig’s 184 RBIs in 1931 is still an American League record as of 2008 and second all-time to Hack Wilson’s 191 RBIs in 1930. 3 of the top 6 RBI seasons in baseball history were Lou Gehrig’s. Lou Gehrig also holds the baseball record for most seasons with 400 total bases or more, accomplishing this feat 5 times in his career.

During the 10 seasons (1925-1934) in which Lou Gehrig and Ruth were both Yankees and played a majority of games, Lou Gehrig had more home runs than Ruth only once, in 1934, when he hit 49 compared to Ruth’s 22 (Ruth played 125 games that year). They tied at 46 in 1931. Ruth had 424 home runs compared to Lou Gehrig’s 347. Lou Gehrig had more RBIs in 7 years (1925, 1927, 1930-1934) and they tied in 1928. Ruth had 1,316 RBIs compared to Lou Gehrig’s 1,436, although the latter had more hits in 8 years (1925, 1927-28, 1930-34) and a higher slugging percentage in 2 years (1933-34). Lou Gehrig also had a higher batting average in 7 years (1925, 1927-28, 1930, 1932-34). For that span, Lou Gehrig had a .343 batting average, compared to .338 for Ruth.

Lou Gehrig and Carl Hubbell on 1936 Time Magazine coverIn 1932, Lou Gehrig became the first player of the 20th century to hit 4 home runs in a single game, accomplishing the feat on 3 June against the Philadelphia Athletics. Lou Gehrig narrowly missed getting a 5th home run in the game when Athletics center fielder Al Simmons made a leaping catch of another Lou Gehrig-hit fly ball at the centerfield fence. After the game, Manager Joe McCarthy told him, “Well, Lou, nobody can take today away from you…” However, on that same day, John McGraw chose to announce his retirement after 30 years of managing the New York Giants, and so McGraw, not Lou Gehrig, got the headlines in the sports sections the next day and Lou Gehrig, as usual, was overshadowed. The following year, in September 1933, Lou Gehrig married Eleanor Twitchell, the daughter of Chicago Parks Commissioner Frank Twitchell.

In a 1936 World Series cover story about Lou Gehrig and Carl Hubbell, Time magazine proclaimed Lou Gehrig “the game’s No. 1 batsman”, who “takes boyish pride in banging a baseball as far, and running around the bases as quickly, as possible”.

On 1 June 1925, Lou Gehrig entered the game as a pinch hitter, substituting for shortstop Paul “Pee Wee” Wanninger. The next day, 2 June, Yankee manager Miller Huggins started Lou Gehrig in place of regular first baseman Wally Pipp. Wally Pipp was in a slump, as were the Yankees as a team, so Miller Huggins made several lineup changes to boost their performance. 14 years later, Lou Gehrig had played 2,130 consecutive games. In a few instances, Lou Gehrig managed to keep the streak intact through pinch hitting appearances and fortuitous timing; in others, the streak continued despite injuries. For example:

On 23 April 1933, an errant pitch by Washington Senators hurler struck Lou Gehrig in the head. Although almost knocked unconscious, Lou Gehrig recovered and remained in the game.

On 14 June 1933, Lou Gehrig was ejected from a game, along with manager Joe McCarthy, but he had already been at bat, so he got credit for playing the game.

On 13 July 1934, Lou Gehrig suffered a “lumbago attack” and had to be assisted off the field. In the next day’s away game, he was listed in the lineup as “shortstop”, batting lead-off. In his first and only plate appearance, he singled and was promptly replaced by a pinch runner to rest his throbbing back, never taking the field. A&E’s Biography speculated that this illness, which he also described as “a cold in his back”, might have been the first symptom of his debilitating disease.

In addition, X-rays taken late in his life disclosed that Lou Gehrig had sustained several fractures during his playing career, although he remained in the lineup despite those previously undisclosed injuries.

Lou Gehrig’s record of 2,130 consecutive games played stood until 6 September, 1995, when Baltimore Orioles shortstop Cal Ripken, Jr. played in his 2,131st consecutive game to establish a new record.

Plaque in St. Petersburg, Fla., where Lou Gehrig collapsed in 1939 during spring training At the midpoint of the 1938 season, Lou Gehrig’s performance began to diminish. At the end of that season, he said, “I tired mid season. I don’t know why, but I just couldn’t get going again.” Although his final 1938 stats were respectable (.295 batting average, 114 RBIs, 170 hits, .523 slugging percentage, 689 plate appearances with only 75 strikeouts, and 29 home runs), it was a dramatic drop from his 1937 season (when he batted .351 and slugged .643). In the 1938 post-season his batting average was .286 and all 4 of his hits were singles.

When the Yankees began their 1939 spring training in St. Petersburg, Florida, it was obvious that Lou Gehrig no longer possessed his once-formidable power. Even Lou Gehrig’s base running was affected, and at one point he collapsed at Al Lang Field, the Yankees’ spring training park at the time in St. Petersburg. By the end of spring training, Lou Gehrig had not hit even one home run. Throughout his career, Lou Gehrig was considered an excellent runner on the basepaths, but as the 1939 season got underway, his co-ordination and speed had deteriorated significantly.

By the end of April, his statistics were the worst of his career, with just 1 RBI and a .143 batting average. Fans and the press openly speculated on Lou Gehrig’s abrupt decline. James Kahn, a reporter who wrote often about Lou Gehrig, said in one article:

I think there is something wrong with him. Physically wrong, I mean. I don’t know what it is, but I am satisfied that it goes far beyond his ball-playing. I have seen ballplayers ‘go’ overnight, as lou Gehrig seems to have done. But they were simply washed up as ballplayers. It’s something deeper than that in this case, though. I have watched him very closely and this is what I have seen: I have seen him time a ball perfectly, swing on it as hard as he can, meet it squarely — and drive a soft, looping fly over the infield. In other words, for some reason that I do not know, his old power isn’t there… Lou Gehrig is meeting the ball, time after time, and it isn’t going anywhere.

Lou Gehrig was indeed meeting the ball, with only one strikeout in 28 at-bats. But Joe McCarthy found himself resisting pressure from Yankee management to switch Lou Gehrig to a part-time role. Things came to a head when Lou Gehrig had to struggle to make a routine put-out at first base. The pitcher, Johnny Murphy, had to wait for Lou Gehrig to drag himself over to the bag so he could catch Murphy’s throw. Murphy said, “Nice play, Lou.”

On 30 April, Lou Gehrig went hitless against the weak Washington Senators. LouGehrig had just played his 2,130th consecutive Major League game.

On 2 May, the next game after a day off, Lou Gehrig approached Joe McCarthy before the game in Detroit against the Tigers and said, “I’m benching myself, Joe”, telling the Yankees’ skipper that he was doing so “for the good of the team”. Joe McCarthy acquiesced and put Ellsworth “Babe” Dahlgren in at first base, and also said that whenever Gehrig wanted to play again, the position was his. Gehrig himself took the lineup card out to the shocked umpires before the game, ending the 14-year stamina streak. Before the game began, the Briggs Stadium announcer told the fans, “Ladies and gentlemen, this is the first time Lou Gehrig’s name will not appear on the Yankee lineup in 2,130 consecutive games.” The Detroit Tigers fans gave Lou Gehrig a standing ovation while he sat on the bench with tears in his eyes. Lou Gehrig stayed with the Yankees as team captain for a few more weeks, but he never played baseball again.

As Lou Gehrig’s debilitation became steadily worse, Eleanor called the famed Mayo Clinic in Rochester, Minnesota. Eleanor’s call was transferred to Dr. Charles William Mayo, who had been following Lou Gehrig’s career and his mysterious loss of strength. Dr. Mayo told Eleanor to bring Lou Gehrig as soon as possible.

Eleanor and Lou Gehrig flew to Rochester from Chicago, where the Yankees were playing at the time, arriving at the Mayo Clinic on 13 June, 1939. After 6 days of extensive testing at Mayo Clinic, the diagnosis of amyotrophic lateral sclerosis (ALS) was confirmed on 19 June, Lou Gehrig’s 36th birthday. The prognosis was grim: rapidly increasing paralysis, difficulty in swallowing and speaking, and a life expectancy of fewer than 3 years, although there would be no impairment of mental functions. Eleanor Gehrig was told that the cause of ALS was unknown but it was painless, non-contagious and cruel — the central nervous system is destroyed but the mind remains fully aware to the end.

Lou Gehrig often wrote letters to Eleanor, and in one such note written shortly afterwards, said (in part):

The bad news is lateral sclerosis, in our language chronic infantile paralysis. There isn’t any cure… there are very few of these cases. It is probably caused by some germ…Never heard of transmitting it to mates… There is a 50-50 chance of keeping me as I am. I may need a cane in 10 or 15 years. Playing is out of the question…

Following Lou Gehrig’s visit to the Mayo Clinic, he briefly rejoined the Yankees in Washington, DC. As his train pulled into Union Station, he was greeted by a group of Boy Scouts, happily waving and wishing him luck. Lou Gehrig waved back, but he leaned forward to his companion, a reporter, and said, “They’re wishing me luck — and I’m dying.”

 On 21 June, the New York Yankees announced Lou Gehrig’s retirement and proclaimed 4 July, 1939, “Lou Gehrig Appreciation Day” at Yankee Stadium. Between games of the Independence Day doubleheader against the Washington Senators, the poignant ceremonies were held on the diamond. In its coverage the following day, The New York Times said it was “Perhaps as colourful and dramatic a pageant as ever was enacted on a baseball field [as] 61,808 fans thundered a hail and farewell”. Dignitaries extolled the dying slugger and the members of the 1927 Yankees World Championship team, known as “Murderer’s Row”, attended the ceremonies. New York Mayor Fiorello La Guardia called Lou Gehrig “the greatest prototype of good sportsmanship and citizenship” and Postmaster General James Farley concluded his speech by predicting, “For generations to come, boys who play baseball will point with pride to your record.”

Yankees Manager Joe McCarthy, struggling to control his emotions, then spoke of Lou Gehrig, with whom there was a close, almost father and son-like bond. After describing Lou Gehrig as “the finest example of a ballplayer, sportsman, and citizen that baseball has ever known”, Joe McCarthy could stand it no longer. Turning tearfully to Lou Gehrig, the manager said, “Lou, what else can I say except that it was a sad day in the life of everybody who knew you when you came into my hotel room that day in Detroit and told me you were quitting as a ballplayer because you felt yourself a hindrance to the team. My God, man, you were never that.”

The Yankees retired Lou Gehrig’s uniform number “4”, making him the first player in Major League Baseball history to be accorded that honor. Lou Gehrig was given many gifts, commemorative plaques, and trophies. Some came from VIPs; others came from the stadium’s groundskeepers and janitorial staff. Footage of the ceremonies shows Lou Gehrig being handed various gifts, and immediately setting them down on the ground, because he no longer had the arm strength to hold them. The Yankees gave him a silver trophy with their signatures engraved on it. Inscribed on the front was a special poem written by The New York Times writer John Kieran. The trophy cost only about $5, but it became one of Lou Gehrig’s most prized possessions. It is currently on display at the Baseball Hall of Fame.

After the presentations and remarks by Babe Ruth, Lou Gehrig addressed the crowd:

“Fans, for the past 2 weeks you have been reading about the bad break I got. Yet today I consider myself the luckiest man on the face of the earth. I have been in ballparks for 17 years and have never received anything but kindness and encouragement from you fans.

“Look at these grand men. Which of you wouldn’t consider it the highlight of his career just to associate with them for even one day? Sure, I’m lucky. Who wouldn’t consider it an honor to have known Jacob Ruppert? Also, the builder of baseball’s greatest empire, Ed Barrow? To have spent 6 years with that wonderful little fellow, Miller Huggins? Then to have spent the next 9 years with that outstanding leader, that smart student of psychology, the best manager in baseball today, Joe McCarthy? Sure, I’m lucky.

“When the New York Giants, a team you would give your right arm to beat, and vice versa, sends you a gift — that’s something. When everybody down to the groundskeepers and those boys in white coats remember you with trophies — that’s something. When you have a wonderful mother-in-law who takes sides with you in squabbles with her own daughter — that’s something. When you have a father and a mother who work all their lives so that you can have an education and build your body — it’s a blessing. When you have a wife who has been a tower of strength and shown more courage than you dreamed existed — that’s the finest I know.

“So I close in saying that I might have been given a bad break, but I’ve got an awful lot to live for. Thank you.”

Lou Gehrig at Yankee Stadium, 4 July, 1939

The crowd stood and applauded for almost 2 minutes. Lou Gehrig was visibly shaken as he stepped away from the microphone, and wiped the tears away from his face with his handkerchief. Babe Ruth came over and hugged him as a band played “I Love You Truly” and the crowd chanted “We love you, Lou”. The New York Times account the following day called it “one of the most touching scenes ever witnessed on a ball field”, that made even hard-boiled reporters “swallow hard”.

In December 1939, Lou Gehrig was elected unanimously to the National Baseball Hall of Fame in a special election by the Baseball Writers Association, waiving the waiting period normally required after a ballplayer’s retirement. At age 36, he was the youngest player to be so honoured.

“Don’t think I am depressed or pessimistic about my condition at present,” Lou Gehrig wrote following his retirement from baseball. Struggling against his ever-worsening physical condition, he added, “I intend to hold on as long as possible and then if the inevitable comes, I will accept it philosophically and hope for the best. That’s all we can do.”

In October 1939, he accepted Mayor LaGuardia’s appointment to a 10 year term as a New York City Parole Commissioner and was sworn into office on 2 January, 1940. The Parole Commission commended the ex-ballplayer for his “firm belief in parole, properly administered”, stating that Lou Gehrig “indicated he accepted the parole post because it represented an opportunity for public service. Lou Gehrig had rejected other job offers – including lucrative speaking and guest appearance opportunities – worth far more financially than the $5,700 a year commissionership.” Lou Gehrig visited New York City’s correctional facilities, but insisted that they not be covered by news media. Lou Gehrig, as always, quietly and efficiently performed his duties. Lou Gehrig was often helped by his wife Eleanor, who would guide his hand when he had to sign official documents. About a month before his death, when Lou Gehrig reached the point where his deteriorating physical condition made it impossible for him to continue in the job, he quietly resigned.

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Obsessive Compulsive Disorder Series-Disabled Legend Justin Timberlake

Justin Randall Timberlake was born on 31 January, 1981. Justin is an American pop singer-songwriter, record producer, dancer and actor. Justin Timberlake came to fame as one of the lead singers of pop boy band ‘N Sync. In 2002, he released his debut solo album, Justified. Timberlake’s second solo release, FutureSex/LoveSounds, was released in 2006 with the U.S. number-one hit singles “SexyBack”, “My Love”, and “What Goes Around… Comes Around”. According to an interview that Justin gave, Justin said, he has a “complicated” mix of OCD and attention deficit disorder. Like the British soccer star David Beckham, Justin Timberlake states that he has to make sure that things are lined up perfect and also makes sure that the fridge is stocked only with certain foods. Although he struggles with OCD and ADD Justin Timberlake says he still loves to perform and it doesn’t stop him from living.

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Spina Bifida Series-Disabled Legend Robert Hensel

Robert Hensel being an international poet and writer, Robert has never let spina bifida come in the way of his artistic mind. “There were many times that my schoolmates would laugh at me and call me names simply because of their lack of understanding of why I was a little different”. He was awarded the title of one of the best poets of the 20th century with over 900 publications worldwide and detains the world record at Guiness and Ripley’s for the longest non stop wheelie in a weelchair.

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