Schizophrenia Series-Disabled Legend Joe Meek

Joe Meek was born Robert George Meek on 5 April 1929 and died on 3 February 1967 in London. Joe Meek was a pioneering English record producer and songwriter acknowledged as 1 of the world’s 1st and most imaginative independent producers.

Joe Meek’s most famous work was The Tornados’ hit “Telstar” (1962), which became the 1st record by a British group to hit #1 in the US Hot 100. It also spent 5 weeks atop the UK singles chart, with Joe Meek receiving an Ivor Novello Award for this production as the “Best-Selling A-Side” of 1962.

Joe Meek’s other notable hit productions include “Don’t You Rock Me Daddy-O” and “Cumberland Gap” by Lonnie Donegan (as engineer), “Johnny Remember Me” by John Leyton, “Just Like Eddie” by Heinz, “Angela Jones” by Michael Cox and “Have I the Right?” by The Honeycombs, “Tribute to Buddy Holly” by Mike Berry. Joe Meek’s concept album I Hear a New World is regarded as a watershed in modern music for its innovative use of electronic sounds.

Joe Meek was also producing music for films, most notably Live It Up! (US title Sing and Swing), a 1963 pop music film starring Heinz Burt, David Hemmings and Steve Marriott, also featuring Gene Vincent, Jenny Moss, The Outlaws, Kim Roberts, Kenny Ball, Patsy Ann Noble and others. Joe Meek wrote most of the songs and incidental music, much of which was recorded by The Saints and produced by Joe Meek.

Joe Meek’s commercial success as a producer was short-lived and Joe Meek gradually sank into debt and depression. On 3 February 1967, using a shotgun owned by musician Heinz Burt, Joe Meek murdered his landlady before turning the gun on himself. Aged only 37, he died 8 years to the day after his hero, Buddy Holly.

A stint in the Royal Air Force as a radar operator spurred a life-long interest in electronics and outer space. From 1953 he worked for the Midlands Electricity Board. Joe Meek used the resources of his company to develop his interest in electronics and music production, including acquiring a disc cutter and producing his 1st record.

Joe Meek left the electricity board to work as a sound engineer for a leading independent radio production company that made programmes for Radio Luxembourg, and made his breakthrough with his work on Ivy Benson’s Music for Lonely Lovers. Joe Meek’s technical ingenuity was 1st shown on the Humphrey Lyttelton jazz single “Bad Penny Blues” (Parlophone Records, 1956) when, contrary to Humphrey Lyttleton’s wishes, he ‘modified’ the sound of the piano and compressed the sound to a greater than normal extent. The record became a hit. Joe Meek then put enormous effort into Dennis Preston’s Landsdowne Studio but tensions between Dennis Preston and Joe Meek soon saw Joe Meek forced out.

In January 1960, together with William Barrington-Coupe, Joe Meek founded Triumph Records. The label very nearly had a #1 hit with Joe Meek’s production of Angela Jones by Michael Cox. Michael Cox was one of the featured singers on Jack Good’s TV music show Boy Meets Girls and the song was given massive promotion. Unfortunately, Triumph Records, being an independent label, was at the mercy of small pressing plants, who couldn’t (or wouldn’t) keep up with sales demands. The record made a respectable appearance in the Top Ten, but it proved that Joe Meek needed the muscle of the major companies to get his records into the shops when it mattered.

Despite an interesting catalogue of Joe Meek productions, indifferent business results and Joe Meek proving difficult to work with eventually led to the label’s demise. Joe Meek would later license many of the Triumph recordings to labels such as Top Rank and Pye.

That year Joe Meek conceived, wrote and produced an “Outer Space Music Fantasy”‘ concept album I Hear A New World with a band called Rod Freeman & The Blue Men. The album was shelved for decades, apart from some EP tracks taken from it.

Joe Meek went on to set up his own production company known as RGM Sound Ltd (later Meeksville Sound Ltd) with toy importer, ‘Major’ Wilfred Alonzo Banks as his financial backer. Joe Meek operated from his now-legendary home studio which he constructed at 304 Holloway Road, Islington, a 3-floor flat above a leather-goods store (currently empty).

Joe Meeks’ 1st hit from Holloway Road was a UK #1 smash: John Leyton’s Johnny Remember Me (1961). This memorable “death ditty” was cleverly promoted by John Leyton’s manager, expatriate Australian entrepreneur Robert Stigwood. Robert Stigwood was able to get John Leyton to perform the song in several episodes of the popular TV soap opera Harpers West One in which he was making a series of guest appearances. Joe Meek’s 3rd UK #1 and last major success was with The Honeycombs’ Have I The Right? in 1964, which also became a No.5 hit on the American Billboard pop charts. The success of John Leyton’s recordings was instrumental in establishing Robert Stigwood and Joe Meek as 2 of Britain’s 1st independent record producers.

When his landlords, who lived downstairs, felt that the noise was too much, they would indicate so with a broom on the ceiling. Joe Meek would signal his contempt by placing loudspeakers in the stairwell and turning up the volume.

A blue plaque has since been placed at the location of the studio to commemorate Joe Meek’s life and work.

Joe Meek was obsessed with the occult and the idea of “the other side”. Joe Meek would set up tape machines in graveyards in a vain attempt to record voices from beyond the grave, in one instance capturing the meows of a cat he claimed was speaking in human tones, asking for help. In particular, he had an obsession with Buddy Holly (claiming the late American rocker had communicated with him in dreams) and other dead rock and roll musicians.

Joe Meek’s professional efforts were often hindered by his paranoia (Joe Meek was convinced that Decca Records would put hidden microphones behind his wallpaper in order to steal his ideas), drug use and attacks of rage or depression. Upon receiving an apparently innocent phone call from Phil Spector, Joe Meek immediately accused Phil Spector of stealing his ideas before hanging up angrily.

Joe Meek’s homosexuality – illegal in the UK at the time – put him under further pressure; he had been charged with “importuning for immoral purposes” in 1963 and was consequently subjected to blackmail. In January of 1967, police in Tattingstone, Suffolk, discovered a suitcase containing the mutilated body of Bernard Oliver, an alleged rent boy who had previously associated with Joe Meek. According to some accounts, Joe Meek became concerned that he would be implicated in the murder investigation when the Metropolitan police stated that they would be interviewing all known homosexuals in the city.

In the meantime, the hits had dried up and as Joe Meek’s financial position became increasingly desperate, his depression deepened. On 3 February, 1967, the 8th anniversary of Buddy Holly’s death, Joe Meek killed his landlady Violet Shenton and then himself with a single barreled shotgun that he had confiscated from his protegé, former Tornados bassist and solo star Heinz Burt at his Holloway Road home/studio. Joe Meek had flown into a rage and taken the gun from Heinz Burt when he informed Joe Meek that he used it while on tour to shoot birds. Joe Meek had kept the gun under his bed, along with some cartridges. As the shotgun had been registered to Heinz Burt, he was questioned intensively by police, before being eliminated from their enquiries.

Joe Meek was subsequently buried in plot 99 at Newent Cemetery in Newent, Gloucestershire. Joe Meek’s black granite tombstone can be found near the middle of the cemetery.

Despite not being able to play a musical instrument or write notation, Joe Meek displayed a remarkable facility for writing and producing successful commercial recordings. In writing songs he was reliant on musicians such as Dave Adams, Geoff Goddard or Charles Blackwell to transcribe melodies from his vocal “demos”. Joe Meek worked on 245 singles, of which 45 were major hits (top 50 or better).

Joe Meek pioneered studio tools such as multiple over-dubbing on 1 and 2 track machines, close miking, direct input of bass guitars, the compressor, and effects like echo and reverb, as well as sampling. Unlike other producers, his search was for the ‘right’ sound rather than for a catchy musical tune, and throughout his brief career he single-mindedly followed his quest to create a unique “sonic signature” for every record he produced.

At a time when many studio engineers were still wearing white coats and assiduously trying to maintain clarity and fidelity, Joe Meek, the maverick, was producing everything on the 3 floors of his “home” studio and was never afraid to distort or manipulate the sound if it created the effect he was seeking. For Johnny Remember Me he placed the violins on the stairs, the drummer almost in the bathroom, and the brass section on a different floor entirely.

Joe Meek was 1 of the 1st producers to grasp and fully exploit the possibilities of the modern recording studio. Joe Meek’s innovative techniques — physically separating instruments, treating instruments and voices with echo and reverb, processing the sound through his fabled home-made electronic devices, the combining of separately-recorded performances and segments into a painstakingly constructed composite recording — comprised a major breakthrough in sound production. Up to that time, the standard technique for pop, jazz and classical recordings alike was to record all the performers in one studio, playing together in real time, a legacy of the days before magnetic tape, when performances were literally cut live, directly onto disc.

Joe Meek’s style was also substantially different from that of his contemporary Phil Spector, who typically created his famous “Wall of sound” productions by making live recordings of large ensembles that used multiples of major instruments like bass, guitar and piano to create the complex sonic backgrounds for his singers.

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Hearing Impairment series-Disabled Legend Ayumi Hamasaki

Ayumi Hamasaki was born on 2 October, 1978. Ayumi is a Japanese singer-songwriter and former actress. Also known as Ayu to her fans, Ayumi has been dubbed the “Empress of pop” and “the Empress of J-Pop” due to her popularity and widespread influence in Japan. Born and raised in Fukuoka, she moved to Tokyo at the age of 14 to pursue a career in entertainment. In 1998, under the tutelage of Avex CEO Max Matsuura, she released a string of modestly selling singles that concluded with her 1999 debut album A Song for XX, which debuted atop the Oricon charts and stayed there for 4 weeks in a row, establishing her popularity in Japan.

Because of her constantly changing image and tight control over her artistry, Ayumi has become a “trendsetter” and an “icon of fashion” in Asia; her popularity and influence in music and fashion extend to China, Singapore, Taiwan, and South Korea. Ayumi has appeared in or lent her songs to many advertisements and television commercials. Though she originally supported this, a 2001 event in which Avex forced her to put her greatest hits album in direct competition with Hikaru Utada’s Distance made Ayumi reconsider and eventually oppose her status as an Avex “product”.

Since her 1998 debut with the single “Poker Face”, Ayumi has sold around 50 million records, making her one of Japan’s best-selling singers. Ayumi’s singles have set records: she is the Japanese female artist with the highest singles sales, most number-one singles, and most million-seller singles. Ayumi is also the only Japanese artist to have a No. 1 single every year for 10 years straight and the 1st to have her 1st 8 studio albums top the Oricon.

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Hearing Impairment Series-Disabled Legend Foxy Brown

Foxy Brown – Inga Marchand, born on 6 September, 1978, in Brooklyn, New York City, better known as Foxy Brown, is an American rapper of Afro-Trinidadian and Asian descent. Foxy Brown is known for her solo work and her brief stint as part of hip-hop music group The Firm. Foxy Brown has revealed that she is slowly losing her hearing after being diagnosed with a rare condition that only affects 1 in 10,000. On 5 December, 2005, outside of Manhattan criminal court, Foxy Brown’s attorney Joseph Tacopina stated he wanted to confirm rumors that Foxy Brown was almost totally deaf and claimed that he could no longer communicate with her verbally. Foxy Brown told reporters on 15 December that she was diagnosed with sudden hearing loss in May while she was recording her upcoming album. Shortly after Tacopina spoke to the public about her hearing condition, news spread that Foxy Brown had fired him. According to reports, Tacopina was never given permission by Foxy Brown or her agent to discuss her medical condition to reporters.

While still a teenager, Foxy Brown won a talent contest in the Park Slope neighborhood of Brooklyn, New York. At the time, production team Trackmasters were working on LL Cool J’s Mr. Smith album, the pair were in attendance that night and being impressed, they decided to let her rap over “I Shot Ya.” Foxy Brown followed her debut with appearances on several RIAA platinum and gold singles from other artists, including remixes of songs “You’re Makin’ Me High” by Toni Braxton. Foxy Brown was also featured on the soundtrack to the 1996 film The Nutty Professor, on the songs “Touch Me Tease Me” by Case and “Ain’t No Nigga” by Jay-Z. The immediate success led to a label bidding war at the beginning of 1996, and in March, Def Jam Records won as they added the then 16 year old talent to their roster.

In 1996 Foxy Brown released her debut album Ill Na Na to mixed reviews but strong sales. The album sold over 109,000 copies in the first week, and debuted at No. 7 on the Billboard 200 album charts. The album was heavily produced by Trackmasters, and featured guest appearances from Jay-Z, Blackstreet, Method Man, and Kid Capri. The album went on to go platinum selling over 3 million records in the US, 6 million worldwide and launched 2 hit singles: “Get Me Home” (featuring Blackstreet) and “I’ll Be” (featuring Jay-Z).

Following the release of Ill Na Na, Foxy Brown joined fellow New York based hip hop artists, Nas, AZ and Nature to form the supergroup known as The Firm. The album was released via Aftermath Records and was produced and recorded by the collective team of Dr. Dre, The Trackmasters, and Steve “Comissioner” Stout of Violator Entertainment. An early form of The Firm appeared on “Affirmative Action,” from Nas’ second album, It Was Written. A remix of the song, and several group freestyles were in the album, Nas, Foxy Brown, AZ, and Nature Present The Firm: The Album. The album entered the Billboard 200 album chart at No. 1 and sold over 1 000,000 records and is RIAA certified platinum.

On 25 January, 1997 Foxy Brown spat on 2 hotel workers in Raleigh, North Carolina when they told her they didn’t have an iron available. When she missed a court appearance, an arrest warrant was issued and she finally turned herself in on 30 April, 1997. Foxy Brown eventually received a 30 day suspended sentence and was ordered to perform 80 hours of community service.

In March 1997, she joined the spring break festivities hosted by the MTV cable television network in Panama City, Florida, among other performers including rapper Snoop Dogg, pop group The Spice Girls, and rock band Stone Temple Pilots. Later, she joined the Smokin’ Grooves tour hosted by the House of Blues with the headlining rap group Cypress Hill, along with other performers like Erykah Badu, The Roots, OutKast, and The Pharcyde, the tour set to begin in Boston, Massachusetts in the summer of 1997. However, after missing several dates in the tour, she left it.

Foxy Brown made an appearance on Ricky Lake in 1998 and mentioned that she had been cast alongside Drew Barrymore and Cameron Diaz in the 2000 film Charlie’s Angels. However, due to her legal troubles around that time she was replaced, at first by Thandie Newton, and ultimately by Lucy Liu.

On 20 January, 1999 Foxy Brown released her second album Chyna Doll, delayed from its original November 1998 release date. It entered the Billboard 200 charts at number 1, selling 173,000 copies in its opening week. However, its sales quickly declined in later weeks. The album’s lead single “Hot Spot” failed to enter the top 50 of the Billboard pop charts, as did the follow-up single, “I Can’t” (featuring Total). Chyna Doll has been certified platinum after surpassing 1 000,000 copies in sales.

On 3 July, 1999 Foxy Brown was escorted off the stage by police at a concert in Trinidad and Tobago for using obscene language but was neither charged nor arrested. In 2000, she announced she was suffering from depression and entered rehab at Cornell University Medical College for an addiction to prescription painkillers, in particular, morphine, even stating that she couldn’t perform or make records unless she was on the illegal drug. On 6 March, 2000 Foxy Brown crashed her Range Rover in Flatbush, Brooklyn. That year she was also arrested for driving without a license.

In 2001, Foxy Brown released Broken Silence. Its first single was “BK Anthem” showcased Foxy Brown changing to a “street” image and giving a tribute to her hometown Brooklyn and famous rappers such as The Notorious B.I.G. and Jay-Z. The second single from the album was “Oh Yeah”, which featured her then-boyfriend, Jamaican dancehall artist Spragga Benz. The album debuted on the Billboard Charts at No. 5, selling 131,000 units its first week. Like previous albums, Broken Silence also sold over 1 000,000 records and is certified platinum by the RIAA.

In 2002, Foxy Brown returned to the music scene briefly with her single “Stylin'”, whose remix featured rappers Birdman, her brother Gavin, Loon, and N.O.R.E. was to be the first single off of her upcoming album Ill Na Na 2: The Fever. Threat of arrest faced her following an altercation at the Norman Manley International Airport in Kingston, Jamaica from July she would be arrested if she ever would return to the country. The next year, she was featured on DJ Kayslay’s single “Too Much for Me” from his Street Sweeper’s Volume One Mixtape. Foxy Brown also appeared on Luther Vandross’ final studio album Dance with My Father. That April, Foxy Brown appeared on popular New York radio jock Wendy Williams’ radio show, and revealed the details of her relationships with Lyor Cohen, president of Def Jam Recordings at the time, and Sean “P. Diddy” Combs. Foxy Brown accused both of illegally trading her recording masters. Foxy Brown also announced that Cohen shelved her long awaited fourth album Ill Na Na 2: The Fever over personal disagreements. Therefore, “Stylin'” was released on the compilation album The Source Presents: Hip Hop Hits Vol. 6 in December 2002.

In 2004, Foxy Brown reunited with her old friend and mentor Jay-Z, when he became the president of Def Jam and signed her to its subsidiary, Roc-A-Fella Records. Later that year, Foxy Brown joined Jay-Z and several other hip-hop acts on his Jay-Z and Friends tour. Foxy Brown began recording her fourth solo album, Black Roses. Its first single was “Come Fly With Me” featuring Sizzla. Other tracks Foxy Brown recorded included a remix of the song “You Already Know” by the R&B group 112.

On 29 August, 2004 Foxy Brown attacked 2 manicurists in Chelsea, Manhattan during a dispute over a $20 bill that she refused to pay, and she in April 2005 pled not guilty to assault charges and entered 3 years of probation effective October 2006. For that incident, she would also take anger management classes. Female rapper Jacki-O, in April 2005, alleged that she and Foxy Brown got into a physical altercation at a recording studio in Miami, Florida, saying that Foxy Brown came into the studio during her session and expected her to “bow down” to her. The next month, Foxy Brown denied any such altercation in an interview with the Miami, Florida hip-hop radio station WEDR.

Joseph Tacopina, Foxy Brown’s attorney, stated on 5 December, 2005 that he wanted to confirm rumors that Foxy Brown was almost totally deaf and claimed that he could no longer communicate with her verbally. Foxy Brown told reporters on 15 December that she was diagnosed with sudden hearing loss in May while she was recording her upcoming album. Shortly after Tacopina spoke to the public about her hearing condition, news spread that Foxy Brown had fired him. According to reports, Tacopina was never given permission by Foxy Brown or her agent to discuss her medical condition to reporters.

As a result of her legal troubles, Foxy Brown entered a confrontation with radio host Egypt on New York City radio station WWPR-FM (“Power 105.1”). Foxy Brown pled not guilty in March 2007 to assaulting a beauty supply store employee. Foxy Brown’s other arrests during 2007 included leaving New York state without permission during probation, hitting a neighbor with a BlackBerry, and almost running over a stroller with a baby inside.

On 24 July, 2008 publisher Simon & Schuster Inc. sued Foxy Brown in state court in New York claiming that it paid Foxy Brown $75,000 under a 2006 contract for an autobiography tentatively titled “Broken Silence” and Foxy Brown never delivered on the contract. The case is Simon & Schuster v. Inga Marchand, 110125/2008, New York State Supreme Court (Manhattan).

On 7 September, 2007, New York Criminal Court Judge Melissa Jackson sentenced Foxy Brown to 1 year in jail for violating her probation that stemmed from the 2004 fight with 2 manicurists in a New York City nail salon. Foxy Brown was eventually released from prison on 18 April, 2008. No mention was made during the trial by anyone about Foxy Brown expecting a baby. On 12 September, 2007 her representatives stated the rapper was not pregnant in response to claims by her lawyer that she was.

On 23 October, 2007, Foxy Brown was given 76 days in solitary confinement due to a physical altercation that took place on 3 October, 2007 with another prisoner. According to the prison authorities, Foxy Brown, the next day after the incident, was also verbally abusive toward correction officers and refused to take a random drug test. Prison authorities reported on 27 November that she was released “from solitary confinement…for good behavior”, and Foxy Brown was finally released from prison on 18 April, 2008.

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Hearing Impairment Series-Disabled Legend Pete Townshend

Peter Dennis Blandford Townshend was born on 19 May 1945 in Chiswick, London. Pete Townshend is an award-winning English rock guitarist, singer, songwriter, composer, and writer, known principally as the guitarist and songwriter for The Who, as well as for his own solo career. Pete Townshend’s career with The Who spans more than 40 years, during which time the band grew to be considered one of the most influential bands of the rock era, in addition to being “possibly the greatest live band ever.

Pete Townshend is the primary songwriter for the Who, writing well over 100 songs for the band’s 11 studio albums, including the rock operas Tommy and Quadrophenia, plus dozens more that appeared as non-album singles, bonus tracks on reissues, and tracks on rarities compilations such as Odds and Sods. Pete has also written over 100 songs for his solo albums and rarities compilations. Although known mainly for being a guitarist, he is also an accomplished singer and keyboard player, and has played many other instruments on his solo albums, and on some Who albums (such as banjo, accordion, synthesizer, piano, bass guitar, drums).

Pete has also written newspaper and magazine articles, book reviews, essays, books, and scripts.

Born into a musical family (his father Cliff Townshend was a professional saxophonist in The Squadronaires and his mother Betty a singer), Pete Townshend exhibited a fascination with music at an early age. Pete Townshend had early exposure to American Rock and Roll (his mother recounts that he repeatedly saw the 1956 film Rock Around the Clock and obtained his first guitar from his grandmother at the age of 12, which he described as a “Cheap Spanish thing”. Townshend’s biggest guitar influences include Link Wray, John Lee Hooker, Bo Diddley and Hank Marvin of The Shadows. 

In 1961Pete Townshend enrolled at Ealing Art College, and a year later he and his school friend from Acton County Grammar School John Entwistle founded their first band, The Confederates, a Dixieland duet featuring Pete Townshend on banjo and Entwistle on horn. From this beginning they moved on to The Detours, a skiffle/rock and roll band fronted by then sheet-metal welder Roger Daltrey. In early 1964, due to another band having the same name, The Detours renamed themselves The Who. Drummer Doug Sandom was replaced by Keith Moon not long afterwards. The band (now comprising Daltrey on vocals and harmonica, Pete Townshend on guitar, Entwistle on bass, and Moon on drums) were soon taken on by a mod publicist (named Peter Meaden) who convinced them to change their name to The High Numbers to give the band more of a mod feel. After bringing out one single (“Zoot Suit”), they dropped Meaden and were signed on by two new managers, Chris Stamp and Kit Lambert. They dropped The High Numbers name and reverted to The Who.

Pete Townshend met Karen Astley (daughter of composer Ted Astley) while in art school and married her in 1968. The couple separated in 1994 and Pete Townshend announced they would divorce in 2000. They have 3 children Emma born in 1969, who is a singer/songwriter, Aminta born in 1971 and Joseph born in 1989. For many years Pete Townshend refused to confirm or deny rumors that he was bisexual. In a 2002 interview with Rolling Stone magazine, however, he explained that, although he engaged in some brief same-sex experimentation in the 1960s, he is hetrosexual. Pete Townshend currently lives with his long-time partner, musician Rachel Fuller, in Richmond, England. Pete Townshend also owns a house in Churt, Surrey, England.

Pete Townshend has woven a long history of involvement with various charities and other philanthropic efforts throughout his career, both as a solo artist and with The Who. Pete’s  first solo concert, for example, was a 1974 benefit show which was organized to raise funds for the Camden Square Community Play Center.

The earliest public example of Pete Townshend’s involvement with charitable causes is the relationship he established with the Richmond-based Meher Baba Association. In 1968, Pete Townshend donated the use of his former Wardour Street apartment to the Meher Baba Association. The following year, the association was moved to another Townshend-owned apartment, the Eccleston Square former residence of wife Karen.

Pete Townshend sat on a committee which oversaw the operation and finances of the center. “The committee sees to it that it is open a couple of days a week, and keeps the bills paid and the library full,” he wrote in a 1970 Rolling Stone article.

In 1969 and 1972 Pete Townshend produced 2 limited-release albums, Happy Birthday and I Am, for the London-based Baba association. This led to 1972’s Who Came First, a more widespread release, 15 percent of the revenue of which went to the Baba association. A further limited release, With Love, was released in 1976. A limited-edition boxed set of all 3 limited releases on CD, Avatar, was released in 2000, with all profits going to the Avatar Meher Baba Trust in India, which provided funds to a dispensary, school, hospital and pilgrimage center.

In July 1976, Pete Townshend opened Meher Baba Oceanic, a London activity centre for Baba followers which featured film dubbing and editing facilities, a cinema and a recording studio. In addition, the centre served as a regular meeting place for Baba followers. Pete Townshend offered very economical (reportedly £1 per night) lodging for American Baba followers who needed an overnight stay on their pilgrimages to India. “For a few years, I had toyed with the idea of opening a London house dedicated to Meher Baba,” he wrote in a 1977 Rolling Stone article. “In the 8 years I had followed him, I had donated only coppers to foundations set up around the world to carry out the Master’s wishes and decided it was about time I put myself on the line. The Who had set up a strong charitable trust of its own which appeased, to an extent, the feeling I had that Meher Baba would rather have seen me give to the poor than to the establishment of yet another so-called ‘spiritual center’.”

Pete Townshend also embarked on a project dedicated to the collection, restoration and maintenance of Meher Baba-related films. The project was known as MEFA, or Meher Baba European Film Archive.

Pete Townshend has been an active champion of children’s charities. The debut of Pete Townshend’s stage version of Tommy  took place at San Diego’s La Jolla Playhouse in July 1992. The show was earmarked as a benefit for the London-based Nordoff-Robbins Music Therapy Foundation, an organization which helps autistic and retarded children.

Pete Townshend performed at a 1995 benefit organized by Paul Simon at Madison Square Garden’s Paramount Theatre, for The Children’s Health Fund. The following year, Pete Townshend performed at a benefit for the Bridge School, a California facility for children with severe speech and physical impairments. In 1997, Pete Townshend established a relationship with Maryville Academy, a Chicago area children’s charity. Between 1997 and 2002, Pete Townshend played 5 benefit shows for Maryville Academy, raising at least $1,600,000. In addition, proceeds from the sales of his 1999 release Pete Townshend Live were also donated to Maryville Academy.

As a member of The Who, Pete Townshend has also performed a series of concerts, beginning in 2000, benefitting the Teenage Cancer Trust in the UK, raising several million pounds. In 2005, Pete Townshend performed at New York’s Gotham Hall for Samsung’s Four Seasons of Hope, an annual children’s charity fundraiser.

The Who rocker Pete Townshend is losing his hearing, and fears the disability will end his songwriting career. Pete Townshend blames his hearing loss on a lifetime spent using headphones, experts say today’s iPod Generation is storing up trouble for the future by listening to music at high volumes.

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Obsessive Compulsive Disorder Series-Disabled Legend Justin Timberlake

Justin Randall Timberlake was born on 31 January, 1981. Justin is an American pop singer-songwriter, record producer, dancer and actor. Justin Timberlake came to fame as one of the lead singers of pop boy band ‘N Sync. In 2002, he released his debut solo album, Justified. Timberlake’s second solo release, FutureSex/LoveSounds, was released in 2006 with the U.S. number-one hit singles “SexyBack”, “My Love”, and “What Goes Around… Comes Around”. According to an interview that Justin gave, Justin said, he has a “complicated” mix of OCD and attention deficit disorder. Like the British soccer star David Beckham, Justin Timberlake states that he has to make sure that things are lined up perfect and also makes sure that the fridge is stocked only with certain foods. Although he struggles with OCD and ADD Justin Timberlake says he still loves to perform and it doesn’t stop him from living.

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